2012年3月30日金曜日
Chief Keef: "I Ain't 16...I'm 3Hunna"
Chief Keef was deemed by Gawker "Hip-Hop's Next Big Thing," and despite the criticism they've received for their music declaration - we have to agree.
The 16-year-old rapper is the father of an adorable baby girl whose claim to fame is his polarizing rap videos that shed light on Chicago's war zone-like atmosphere.
His video "Bang" has over a million plus YouTube hits and so do most of his videos.
Wonder how a kid virtually unknown to the rest of the world can create so much buzz on the 'net?
Well, Chief Keef is the face of Chicago's gritty music scene and he represents the thousands of residents who are dealing with the crime war going on in Chicago.
Many critics say Chief Keef (who is currently on house arrest) is sending the wrong message, but to Keef it's just his real life.
Despite the video interviews posted online that portray Chief Keef as a slightly shy quiet rapper, Keef is actually as charismatic, confident, and bubbly as his music videos portray.
Rappers in the game like Maybach Music's Meek Mill, Lil B, and newcomer Danny Brown think Chief Keef is a star, and GlobalGrind must admit Keef definitely has star-like qualities.
Let's not forget to mention that Soulja Boy has reached a deal with Keef, and as soon was he gets off house arrest (which he hopes arrives in April) they'll be hitting the road to do show after show.
GlobalGrind got the chance to chit-chat with Keef (who can only be reached after 3 p.m. due to school) about his rise in the rap game, signing a deal with Soulja Boy, the war in Chicago, getting off house arrest, and his new mixtape Back From The Dead.
The charismatic teen has a story to tell and we must it's a good one.
Check out our exclusive interview below!
GlobalGrind: What made you title your mixtape Back From the Dead.
Chief Keef: Cause I had some sh — I can curse right?
Yeah, you can curse.
Sh*t happened with the police and then mother*ckas was assuming I was dead. They thought I was dead. I was locked up, though. I was telling everybody when I get out, I’ma make this mixtape, and I did!
What happened with you and the police?
It was some dumb sh*t I did, though.
You’re on house arrest right now, right?
Yeah.
What’s the first thing you’re going to do when you get off house arrest?
A lot of shows!
What do you want the world to know about Chicago?
There’s a lot of talent out here. It might be a lot of killing out here, but you know, there’s a lot of talent. I had to bring it out.
What’s your favorite thing to do besides making music?
Flirt.
You’re a ladies’ man, huh?
Yeah. (laughs)
Who are some of your favorite rappers right now?
I’m feeling the Gucci, Jeezy. I listen to Future. I listen to Tity Boi sometime. I listen to Yo Gotti. And my boy Soulja. That’s it.
What’s going on with you and Soulja Boy? They’re saying you might be signing to his label. Is that true?
Yeah.
You’re going to be doing big things with Soulja Boy.
I call it BIGGER things.
If you can collaborate with any rapper who would it be?
I can name like three right? Sh*t, I want to f*ck with Gucci, I want to f*ck with Future, I want to f*ck with Yo Gotti.
You’re grandmother is hilarious in the “Everyday’s Halloween” video.
She is. She don’t believe me, though. I be telling her like “grandma, you can get a show, for real.”
Does your grandmother support your career?
Yup.
If I sent you to a deserted island and you can only bring three albums, what three albums would you bring?
Ahh damn! Just me and my three albums.
What celebrity girls do you think is really hot?
I want two of Lil Wayne’s baby mamas.
Which ones?
I don’t know her name. What’s her name again? New New?
Lauren London?
Yeah, I want her! And what’s that other girl he got? Damn, what’s the white one —s he white.
The new one he’s with?
I don’t know. I know she bad, though. I forget where she come from.
Any other celebrities that you think are hot?
Oh, yeah, Rihanna! Thank you, yeah. I know Chris Brown fucked up, you know. So just give her to me.
What do you want everyone to know about Chief Keef?
I ain’t 16. I’m 300! And I do this sh*t for my daughter and only my daughter.
How old is your daughter?
She’s five months.
How does it feel being a dad?
I love looking at her and holding her - it feels good.
You were born and raised in Chicago, right?
Yeah.
How was it for you?
It was always rough. We was rough when I was little. It was always rough growing up. It’s rough on my block.
What block are you from?
I’m from 64th and King Drive.
If I could give you one wish, what wish would you wish for?
To be a billionaire.
Do you remember what your last dream was about?
I don’t even think I have dreams. I mean, I think my dreams came true.
Do you shoot all your videos at your grandma’s house?
Hell nah. I shot like two in my grandmama's house.
“I Don’t Like” is that the one that’s shot at your grandmother’s house?
Nope, that’s in one of the lofts.
Do you have an opinion towards the people who say you are sending a bad message to young people your age or kids?
I don’t even think I’m sending kids a bad message. Sh*t, they listen to me. Their parents even let them listen to me! And they love it! I’ve seen little babies going crazy. I look up on YouTube. I see a lot of babies going crazy over my song. And they’re little babies, like two, one. I don’t think I send a bad message. Parents even let them listen to me, so I don’t know. I don’t really care about that, though, so.
How did you link up with DJ Kenn? He’s all the way from Japan and now he’s shooting your videos.
Well, it was like 2008. I met him through my uncle Keith. I had met him through him. DJ Kenn, he live right across the street from me at my old house.
More on: chief keef, exclusive interview
Read more: http://globalgrind.com/node/829301#ixzz1qYGFiMIc
http://globalgrind.com/music/chief-keef-rapper-house-arrest-chicago-music-interview-exclusive
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2012年3月28日水曜日
2012年3月26日月曜日
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2012年3月23日金曜日
So Many Shrimp
I just dumped some early draft paragraphs that were cut due to word count restrictions or general editorial streamlining for the piece that ran on Gawker. Included: quotes from Katie Got Bandz, DGainz, a Chicago high school teacher, and Chief Keef on developing his rap style.
If you have any questions about the story, feel free to ask me here.
Bang: The Launch of a 16-Year-Old Chicago Rapper — Leftovers
Bang: The Launch of a 16-Year-Old Chicago Rapper — Leftovers
I wrote about Chief Keef for Gawker a week or so ago; my initial draft had been considerably longer than space would allow — this was a VERY rich story, with a lot of different angles that I wish I could have gone into in more detail. There were definitely some ideas and quotes that I thought readers might find interesting, as well.
I’ll be answering some questions that piled up on the somanyshrimp tumblr after I publish this, so if you are curious about this story, feel free to ask through tumblr.
On DJ Kenn’s early influences and arrival in Chicago:
Kenn, who declined to give his real name for this article, is originally from the Yamagata Prefecture of Japan. He produced the beat for “Bang,” as well as several of Keef’s other songs. He discovered hip-hop as a teenager living in Japan, and became a big fan of Dr. Dre, Nas and Cam’ron. (“[Stillmatic and Come Home With Me] are classics to me,” Kenn said when asked about his favorite performers. “I used to listen to those every day.”) When he turned 18, around 2005, Kenn moved to Tokyo, and within two years followed a friend to New York City. “I always looked up to him,” he explained. “He was doing music with people [in the U.S.]. I was like, I want to do music like him.” The United States completely changed Kenn’s perceptions of hip-hop. “Right here, everything is life-sized,” Kenn said in a thick accent. “Radio, parties, or even clothes, anything. This is real. In Japan, it’s different. People get older and they start to listen to it. Right here, it’s like babies listen to hip-hop, they grow up with the rhythm.”Kenn had planned to just spend a year in the United States, but within ten months of moving to New York, he flew instead to Chicago. He spoke little-to-no English, and knew no one in the city; he just knew he wanted to make music. He was wandering through Woodlawn, near 60th and Indiana, when a man discovered him and found him a place to stay. His name was Keith, and he was Chief Keef’s uncle. “He took me to an apartment right there across the street”–Kenn gestures out the front window— “and I stayed over there and started to do music. Keef came through, [Fredo] Santana came through, and we started recording.”
First impressions of 11-year-old Chief Keef
“First time I came to the studio, I didn’t fuck with a lot of people. But when Keef came to my studio, I was like, this boy…” he trails off, gesturing, as if to gather thoughts he hadn’t put into words before. “He’s different. Even how he talks, how he acts, how to rap [sic]. He was only 11 years old but he was different than everybody. How he talk, how he’s thinking …. [He] always comes with something new. Everybody is trying to do somebody [else] — no disrespect to anybody–but Keef, each song he comes with something new, just him.”
Breaking into the High School audience; the influence of DGainz; shooting the video for “BANG”:
“We used to pay attention to what Bump was doing. They was out hardcore in the streets.” In 2006 and 2007, Doe and Louie used to burn CDs and distribute them by hand: “Schools, bus stops, El stations, parties we would go to.” One of Louie’s earliest tracks became famous throughout the network of East Side High Schools when the star rapped about all the girls he had slept with, naming names. Lyrics and catchphrases could spread like viruses; Doe quotes a particular King Louie lyric. “You could walk up to anybody on the South Side this summer, ‘roll up the dope–’ [they respond] ‘where the bitches at.’” He continued: “There are so many schools on the East Side. The Kenwoods, the Dunbars. And the CPS’s (Chicago Public Schools), once you’ve got those, they spread around throughout the communities. Each person from that school might be from a different area. So they go back to that area and spread it. It’s like a domino effect. And the East Side has been at the forefront of that movement for a long time.”King Louie’s rise coincided with the arrival of Duan Gaines, a hip-hop producer and pioneering street cinematographer who goes by the name DGainz. “I was working with my little cousin, producing and writing for him. The songs were nice songs, everybody liked them. I said, we need some visuals to them. So I bought a camera and it came natural.” DGainz is a humble 23-year-old, untrained in cinematography. He’s also the driving force behind Chicago’s underground street-rap scene as it’s made its way to the Internet for the very first time. His success was rapid and influential, and much of it occurred in the past year.DGainz received a big boost when he was contacted by Louie this past summer. Louie had become the South Side’s biggest local star. Once DGainz dropped a dark, cinematic visual for Louie’s “Gumbo Mobsters,” the floodgates opened, and artists from across the city wanted a DGainz video. One of these artists was Chief Keef, who contacted DGainz directly through facebook.They met at A.O.N. studios, which was located in an apartment and run by DJ Kenn. The video to “Bang” was shot in 30 minutes in the backyard of the studio. “I just wanted to give it the look that it sounded [like]. It had a grimy sound to it,” said Gaines. By the time Keef’s Bang mixtape was released in early October, the video for the title track had 70,000 views. By New Years Eve, that number would surpass 400,000, largely, according to YouTube statistics, through mobile views; kids were watching the videos on their phones. It had become the runaway hit of DGainz already-impressive videography.
Katie Got Bandz on her goals as an artist:
Katie Got Bandz, whose “I Need A Hitta” has in the area of 95,000 views to date, has been performing at dance halls, clubs and sweet sixteen parties since her track took off earlier this summer. Shot by Citi Boi Skills, another of the street cinematographers to rise in the wake of DGainz increased notoriety, the track made Katie — whose real name is Kiara Johnson — a local celebrity. She says she first noticed that her song was taking off when she started getting negative feedback. Like many of the artists behind these videos, there was no calculation to her success; her motivation to pursue a more serious career came from the sudden fanbase that urged her to keep recording. “I don’t really care about the fame or the recognition,” she says earnestly. “I want people to respect me for who I am, not for where I’m going, or just for the work people know me by.”
I spoke with a high school teacher who observed these artists popularity firsthand:
Lydia Merrill, a high school art teacher whose former students included both Katie Got Bandz and Sasha Gohard, could see the artists’ success firsthand. She first heard about Chief Keef through her students, prior to his appearance on WorldStar. She knew a few of her students were aspiring rappers, but it wasn’t until students started inquiring about a particular self-portrait hung on her classroom wall that she realized how big they had become. “Students were always asking me if that was ‘Sasha,’ and I would correct them saying, ‘no, it’s one of my former students, Yaniesha.’ Until one day someone told me about all the videos.”
On violence in the communities:
Alex Riley argued that this was simply the lifestyle of kids in the area: “Honestly, from where I grew up, and a lot of kids my age growing up, they have guns. Kids keep guns on them because they’ve got to protect themselves. And these kids be bad as hell, they do a lot of bad shit, so they can relate to what he’s saying. And ALL of them smoke loud. I’d say every kid born ’92, ’93, all the way up, only smokes loud weed. So everything he’s saying, they can relate to. That’s why they’re so attracted to it.”Big Homie Doe echoed this sentiment. “It’s sad to say, but that’s what happens. That’s what goes on. A lot of these kids—people like me, Louie, Keef—grew up around situations like that. It’s sort of what people know. It’s not like people [are] looking on the TV and emulating anything. A lot of the gangster shit and all that started in Chicago, dating back to the Al Capone days. It’s deep-rooted here in Chicago. Even all our politicians are locked up. It’s something sort of in the water and especially in the blood of people here….Because if you’re there with them yourself, and be around [these neighborhoods], you’ll see what’s going on. And you’ll talk about the same things, too.”
Chief Keef on rap style:
“See, motherfuckers think I can’t do metaphors and ain’t about metaphors and punchlines. They–” he gestured at a fanbase, outside the apartment, “don’t want to see me do that. I don’t sit down and ‘think,’ I write about what’s going on right now, what we just did, what just happened. That’s what I write about. I don’t be trying so hard. I used to, ask him–” he points at DJ Kenn. “He told me to stop! Kenn was the reason. He said, ‘stop saying so much.’ That’s why I got comfortable and started–” he’s interrupted suddenly by someone knocking at his door; he signals them through the window, banging a vase against it to get their attention.
Chief Keef gets into rapping:
Keef grew up in Woodlawn, just a few blocks east of his grandmother’s residence. He attended Dulles Elementary at 63rd and King Drive, and all the people in his videos are people he’s known since he was young. His grandmother is a school bus driver; his mother still lives in the neighborhood. “Fuck my dad,” Keef said brusquely. Keef was raised on hip-hop; he remembers first hearing Beanie Sigel and G-Unit, and his earliest memories of rapping were into an old karaoke machine when he was around nine years of age. “Little-ass kids, about ‘05, ‘04. We used to freestyle, I used to be so cold, even when I was a little shorty. I used to be freestyling raw as hell! See now my brain’s fucked up from smoking so much loud, but I was raw! We had the blank tapes, put ‘em in there, got the little mic, got the beat playing, the weak-ass beats and shit. Called ourselves Total Domination.”
Chief Keef on his favorite rappers:
Since his sudden national breakthrough, Keef’s found some allies in unexpected quarters. In addition to avant-weirdo Lil B’s appearance on the “Bang” remix, critically-acclaimed rapper Danny Brown showed some enthusiasm for Keef recently on Twitter. But Keef’s hip-hop aspirations are well within hip-hop’s mainstream. “Gucci, Soulja, Future, Tity Boi, Young Jeezy, Yo Gotti. That’s about it,” he says about his favorite artists, before adding that in Chicago, all he sees is King Louie and his friends from the neighborhood. Later on, he raps the hook to Fat Trel’s “Respect with the Tec,” a song from another young, rising artist. Trel became a breakout street rapper last year, in part thanks to his own singular visual presence on YouTube.
DJ Kenn on being an outsider from Japan:
“To keep it real, it made me realize this is a whole other country, this is not Japan. And–I cannot speak [well]–it made me change a lot. Sometimes it was too bad. I used to think you can trust anybody, I was trying to be positive to everybody. It made me think, you can’t trust nobody. But at the same time, good friends are good friends for real. No matter what. It made me strong.”
http://somanyshrimp.com/2012/03/22/bang-the-launch-of-a-16-year-old-chicago-rapper/
2012年3月21日水曜日
If Chief Keef Is “Hip-Hop’s Next Big Thing,” We’re All In Trouble
If Chief Keef Is “Hip-Hop’s Next Big Thing,” We’re All In Trouble
AUDIO BY BEWARE ON MARCH 13, 2012 AT 2:17 PM
Go to Gawker right now and you’ll read about Chief Keef, a 16-Year-old rapper from Chicago’s south side, who the online gossip mag is applauding as “hip-hop’s next big thing.” As the story goes, this upstart gained heavy notoriety for his brash brand of senseless raps after he pointed a gun at police and was arrested for unlawful use of a weapon late last December, causing his exclusive fanbase of Cook County school kids to spread his songs all across the Windy City. Now, only a few months after the incident, he’s gone viral with music videos closing in on a million hits, ties to Soulja Boy and half the kids in Chicago echoing his best known song and favorite adlib, “Bang.”
If you don’t see a problem with all this, let me quickly elaborate.
South Chicago is a damn war zone. Renowned for having the highest murder rate in the country, this is where young Keef calls home. It’s also where he’s recruiting legions of adolescent supporters, who seem to range anywhere from eight to 18-years-old and can be seen reciting their new favorite rapper’s continual barrage of bullet-blasting lyrics in any one of the grainy videos currently working their way up YouTube’s priority list. And, while encouraging these smiling kids to curl up their trigger-fingers for the camera before they’re old enough to sit in the front seat of a car is working for the new Chief of Chi-Town, the examples he’s setting along the way are flat-out disgusting.
It’s bad enough the young troublemaker insists on rapping about killing cops and robbing on sight, despite only recently being allowed to buy cigarettes. But, encouraging his neighborhood youths to follow suit is about the most counterproductive thing that could ever happen to them. And Chief has a more palpable connection to these kids than your average gangster rapper because he’s from their area, living the criminal life he talks about and is still “famous” and on his way to possible superstardom. Yes, Ice T was a “cop killer,” but he was also in his 30s and lived pretty reasonably on the right side of the tracks if you did enough biographical digging. Kids acting belligerent for the camera may seem harmless, but when such feeble minds are seeing themselves getting Internet famous by imitating a criminal-minded high school dropout, how the hell are blue-collar parents going to get through to their children with limited resources and a completely opposing viewpoint? Basically, Chief Keef’s using shock value to get himself out of negative environment, while carelessly setting up his baby-faced followers for would-be failure. Twisted irony at its finest, folks.
Quite frankly though, for as disturbing as this whole scenario is, you can’t blame Keef. After coming up with nothing in a place where you cross your fingers and hope to see tomorrow, Keef saw an opportunity and took it. All he does is push the product, while the Internet buys it up by the bulk. Let’s face it, had Gawker not put together that feature on the bull-headed Chicago kid, this one would not have been written. However, instead of just applauding the hype machine that’s carrying Keef on its shoulders, we’re trying to offer a realistic point of view and show listeners the how and why, opposed to just saying “this is the guy you should listen to.” Because, truthfully, this isn’t the guy you should be listening to, unless you’re old enough to understand the consequences of such reckless songs or young enough not to care.
The problem is that sense of ignorance in itself has become our society’s biggest problem and putting people like Chief Keef on a pedestal is only setting us all back even further, which is unnecessary when you consider so many other artists are leading by example and can’t catch a break.
Coincidentally, Keef’s newest musical offering, the Back From The Dead mixtape, dropped yesterday and is available for free download here, while music videos for “Bang” and “Aimed At You” can be seen below.
Listen at your own risk.
CATEGORY: AUDIO, EVERYTHING ELSE, GENERAL, MUSIC, MUSIC VIDEO, SMOKE BREAK | TAGS: CHEIF KEEF, GAWKER
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